On the final day of London Fashion Week, Burberry and Taiwanese designer APUJAN showcased innovative collections that blend tradition with modernity, highlighting the evolving landscape of the fashion industry.
On the final day of London Fashion Week for autumn/winter 2025, the renowned British fashion house Burberry showcased its latest collection at the prestigious Tate Britain Museum. The event took place on September 25, Taiwan time, marking a significant moment for the century-old brand as it presented a unique interpretation of British style infused with a bohemian spirit. Creative Director Daniel Lee drew inspiration from the English countryside, capturing the essence of travelers seeking refuge from urban life in the pastoral landscapes.
The latest collection skillfully melded traditional British textiles with functional aesthetics, creating a winter wardrobe that prioritizes both elegance and practicality. Lee emphasized the importance of craftsmanship, incorporating luxurious fabrics reminiscent of classic English estates. Notable elements included traditional hand-painted wallpaper and ornate tapestry motifs woven into the designs, all of which contribute to a sense of timeless charm.
Among the standout pieces of the collection was a short cropped biker jacket with intricate floral embroidery, which exemplified Burberry’s focus on detail and craftsmanship. The classic trench coat also received a contemporary twist, featuring vintage wallpaper print elements and tassels that offered a feeling of rhythm and movement. The overall silhouette of the collection centered on structure and layering, with classic garments reimagined in materials such as embossed leather, Irish soft tweed, and plush shearling.
The color palette was inspired by the hues of the English landscape, showcasing tapestry brown, deer gray-brown, ash green, and maze green, intermingled with vibrant punk-style reds and yellows, thereby injecting a modern energy into retro shades.
In parallel with Burberry’s showcase, Taiwanese designer APUJAN presented a digital fashion show entitled “The Princess’s Treasure Box (Time in a Locked Box),” inspired by the Japanese folk tale “Urashima Taro.” This innovative presentation took place at the Trichromatic studio in Taiwan, where an immersive underwater dragon palace scene was brought to life using advanced LED technology. The event was a hallmark for Taiwanese designers, marking a pioneering use of digital platforms in fashion.
The show featured Korean cheerleader Park Eun-hye, who traversed the fantastical underwater setting, allowing viewers an in-depth look at both the show’s backstage and garment studio. APUJAN’s designs showcased a rich blend of marine imagery with motifs of plesiosaurs, corals, and jellyfish, presented through layers of textiles that mimicked the fluidity of water. One notable piece was a coral pink cheongsam with slits, designed with meticulous attention to detail, showcasing prints of turtles and ships.
APUJANS’s choice to integrate digital formats into its presentations reflects the ongoing evolution of fashion shows in the wake of the pandemic, mirroring similar trends within the industry.
Together, these showcases highlight a significant moment in fashion, emphasizing the blend of tradition with contemporary innovation as designers adapt to changing circumstances in the global fashion landscape.
Source: Noah Wire Services
