The short film ‘SHIRINGA’ highlights the innovation and craftsmanship of the Awajún community, showcasing their sustainable bio-leather and the vital role of women in preserving traditions.
On International Women’s Day, attention is drawn to the remarkable achievements of the women of the Awajún community in the Peruvian Amazon, as showcased in the short film “SHIRINGA,” directed by Emma Hakansson, founder of Collective Fashion Justice (CFJ). The film emphasizes the community’s traditional craftsmanship and their commitment to sustainability in fashion.
“SHIRINGA” introduces a novel bio-leather produced from tree sap, representing an innovative leap from conventional leather. This sustainable alternative not only pivots away from animal-derived leather but also addresses reliance on fossil fuel-based materials. By spotlighting this unique material, the film aims to inform viewers about its potential role in reshaping the fashion industry.
The film intricately captures the journey of shiringa bio-leather, tracing it from its roots in the Amazon rainforest to its transformation at Lima’s Caxacori Studio. Central to the narrative are two Awajún women, Doris and Rosalia, who articulate the cultural and environmental significance of their community’s relationship with this age-old material. Their involvement showcases the essential role that women play in preserving local traditions while adapting them for contemporary applications.
SHIRINGA not only reveals a viable alternative to traditional leather production but also underscores the socio-economic benefits for the Awajún community. According to industry standards, shiringa is touted for its durability, water resistance, and flexibility, attributes that align well with fashion’s evolving demands. Beyond material properties, the production of shiringa bio-leather aids in the conservation of the community’s land by combating deforestation while simultaneously fostering economic growth.
The film has garnered recognition at prominent festivals, including the Seattle International Fashion Film Festival and the Nature Without Borders International Film Festival, highlighting its contribution to a dialogue on ethical fashion practices that leverage Indigenous knowledge.
In an interview segment titled “5 Minutes with a Friend,” Hakansson shared her personal connection to textiles, recalling a quilt made by her grandmother that holds sentimental value. This anecdote enhances the understanding of why textiles, particularly sustainable ones, are significant both personally and culturally.
With “SHIRINGA” now accessible for viewing on WaterBear, the film presents a compelling case for how fashion can evolve through sustainable practices and respect for Indigenous traditions, thus offering a balanced benefit to communities and the environment.
Source: Noah Wire Services
