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This week’s Paris Fashion Week showcases LOEWE’s unique exhibition at the historic Hôtel de Maisons, highlighting the brand’s latest collections and a potential farewell from creative director Jonathan Anderson.

This week, Paris Fashion Week has captivated audiences with its array of innovative exhibitions and presentations, notably featuring the luxury brand LOEWE. The brand has chosen the historic Hôtel de Maisons, an 18th-century venue, to host a static exhibition encompassing 17 themed rooms. These rooms not only present LOEWE’s latest men’s and women’s collections but also display an impressive array of the brand’s art collection, showcasing past installations, advertisements, and artistic pieces.

Creative director Jonathan Anderson, who has been pivotal in LOEWE’s recent success, was notably absent from the exhibition. On the eve of the collection’s unveiling, Anderson released a two-minute video chronicling significant moments from his 12-year tenure at the brand, which many interpret as a hint at his potential departure. LOEWE was founded almost 180 years ago, and in 2013, it appointed Anderson as its creative leader when he was still in his twenties, a move that rejuvenated the nearly two-century-old brand.

Under Anderson’s guidance, LOEWE has become synonymous with high fashion, garnering acclaim for its distinctive style. His work has been described as transformative, with many hailing him as the “golden boy of design” in the fashion world. Known for his innovative approach, Anderson is potentially presenting his “farewell piece” this season, as speculation about his future with the brand runs rampant.

The new fall/winter collection, conceived with a scrapbook concept, merges various elements that evoke nostalgia and inspiration. Anderson’s designs reflect the influence of 20th-century modernist pioneers Josef and Anni Albers, particularly Albers’ series “Homage to the Square.” The collection features signature leather pieces, such as the Puzzle and Flamenco bags, along with classic Amazona designs. The outerwear and bags incorporate woven patterns inspired by Anni Albers, emphasizing a nuanced blend of texture and form throughout the collection.

Architectural lines and techniques such as patchwork, draping, and elongated leather further define the new pieces, with a focus on creating unique interpretations of daily wear through variations in proportions, highlighting the artistic vision behind each design.

Other brands showcased their creative interpretations during Paris Fashion Week as well. Maje, for example, presented a collection influenced by the essence of Parisian women’s style, mirroring the dynamics of New York life. Artistic director Judith Milgrom drew from 1950s American campus aesthetics, embracing collegiate styles and leather materials to create a narrative of strength and softness. The architectural lines of the New York City Museum inspired the collection’s silhouette, resulting in a modern take on vintage aesthetics.

Taiwanese actress Zhong Yao made an appearance at the exhibition, showcasing a Bohemian-inspired look that contributed to the fashion narrative of the week.

Meanwhile, Polo Ralph Lauren emphasized American heritage in its 2025 fall/winter collection, with designs reflecting founder Ralph Lauren’s personal dressing style. The collection features layered ensembles, combining suits with sneakers and fleece with cashmere, blending classic and modern aesthetics. Signature items, including camel Polo coats and trench coats, were presented in a chic, androgynous style, reinforcing the brand’s commitment to contemporary gender-neutral fashion.

As Paris Fashion Week continues, the juxtaposition of static exhibitions and innovative design remains a focal point for fashion enthusiasts and industry professionals alike.

Source: Noah Wire Services