Brussels-based designer Marie Adam-Leenaerdt showcases her latest collection in a furniture gallery, merging functional décor with wearable art.
Marie Adam-Leenaerdt, a Brussels-based designer renowned for her innovative approach to merging object and fashion design, showcased her latest collection in a unique setting—within a furniture gallery. The presentation, where models navigated among lighting fixtures and art pieces, provided an unconventional backdrop that blurred the lines between functional décor and wearable art.
The collection is characterized by Adam-Leenaerdt’s exploration of structure, particularly her signature sloping shoulder shapes that have become synonymous with her coats and jackets. This design philosophy embraces a departure from traditional silhouettes, resulting in skirts that jut out at the waist as if suspended from a hanger, and necklines that extend in draped formations akin to curtains on a rod, showcasing an almost surreal interpretation of form.
Despite these avant-garde shapes, the garments retained a softness, primarily crafted from felt in varying shades of gray. Adam-Leenaerdt included practical design elements, such as dresses with back zippers that allow for shape modification, creating versatility for the wearer. Coats featured cleverly concealed buttons, while knitwear showcased interchangeable collars, transforming from V-necks to turtlenecks easily. Her emphasis on pliability reflects a growing trend toward functional fashion.
In a commitment to sustainability, Adam-Leenaerdt placed a significant focus on functionality and frugality. “When you buy an expensive piece, it’s important that the piece lives for many years, in many locations, for different people,” she remarked, emphasizing the importance of longevity in fashion. Her approach advocates for a model where garments have multiple lives, thus promoting reduced production waste.
Color variety punctuated the otherwise muted palette of the collection, with vibrant pieces such as a sunflower yellow dress and an eye-catching leopard print trench coat contributing energy to the presentation. Accessories included oversized zippy totes that complemented her designs.
Adam-Leenaerdt’s creative inspiration continues to draw from everyday objects, particularly tables. The collection featured rounded shapes and long-line cuts interspersed with hoop dresses adorned in bright floral prints reminiscent of vintage tablecloths. While these designs harkened back to nostalgic family gatherings, they were ultimately printed reproductions, representing a new chapter in their life cycle as fashion pieces.
Overall, Adam-Leenaerdt’s collection at the furniture gallery illustrates her philosophy of integrating fashion with functionality, sustainability, and innovative design, all while challenging traditional concepts within the industry.
Source: Noah Wire Services
