Swedish designers Josephine Bergqvist and Livia Schück unveil a fall collection inspired by countryside riding, emphasizing sustainability and community connections.
In a recent showcase of their innovative design philosophy, Swedish fashion duo Josephine Bergqvist and Livia Schück have introduced a fall collection that marries equestrian aesthetics with contemporary sporty influences. The collection was unveiled through a lookbook photographed at Foderby Gård in Vallentuna, located approximately an hour outside Stockholm, an area that holds personal significance for Bergqvist, who previously engaged in cross-country riding.
The backdrop of the shoot brought to life the essence of countryside riding, which Bergqvist described as still being accessible to all, rather than just the elite. “Riding is still very countryside; it’s not like you have to be posh to ride,” she remarked in a phone interview, providing insight into their design ethos. The collection makes use of deadstock and found materials, showcasing a commitment to sustainability by utilizing patterns and techniques that support small runs and scraps of fabric.
In an effort to blend traditional British heritage fabrics such as tweed and tartan with modern styles, the collection features a variety of garments, including unique skirt designs. “Skirts are always our favorite garment, I think we have 10 different styles,” Bergqvist noted, highlighting a particular piece with twisted panels constructed from a double-faced fabric, and another skirt noteworthy for its 3D lattice design.
The duo’s creative vision is evident in how they’ve approached garment construction; many pieces that appear as separate items are actually integrated designs, blurring the lines between individual clothing. The collection also embraces a moody, emo-romantic aesthetic with a series of black dresses paired with customized Tretorn rubber boots, which adds a modern twist to traditional looks.
While Rave Review previously made a mark at Milan Fashion Week with three runway shows, this latest direction represents a shift toward a more personal and intimate presentation style, allowing the collection to resonate more authentically without the overwhelming backdrop of a large catwalk. The collection’s narrative is made richer with family ties, as Bergqvist’s mother and her horse Everyoneshope feature prominently in the lookbook.
Overall, this seasonal offering illustrates a thoughtful evolution for Rave Review, focusing on community and personal connection while maintaining a commitment to sustainable fashion practices. As Bergqvist and Schück continue to engage with their audience, there are indications that future collections may further explore these dynamics, showcasing their designs through the lives of the friends and community that support their mission.
Source: Noah Wire Services
