Thistle Hill Weavers in Cherry Valley, New York, continues to blend 17th-century craftsmanship with contemporary design, serving both individual clients and major fashion brands.
In the small village of Cherry Valley, New York, Thistle Hill Weavers, a custom commission weaving mill, continues to operate, producing historic reproductions and high-end fabrics. Established in the 1980s by owner Rabbit Goody, the mill specializes in creating items that hark back to the craftsmanship of the 17th century. The mill has carved out a niche for itself, working with both individual clients and large brands in the fashion industry, producing items that have been featured in over 75 films.
“This is a very fancy trim,” Goody said, elaborating on one of their signature products. “We can document this trim from at least the late 18th early 19th century. We have surviving examples of it.” Thistle Hill Weavers takes pride in its dedication to historic reproduction, while also offering modern upholstery fabrics. They collaborate closely with farmers to source materials for projects such as custom Acadian style blankets, melding tradition with contemporary needs.
Their work has gained significant attention in the film industry, with Goody noting, “We’ve worked for probably 75 or so films.” Recently, the mill contributed to the Bob Dylan documentary “A Complete Unknown,” where they crafted a banjo strap for Pete Seeger’s banjo. Their partnership with major brands is highlighted by their work for luxury labels including Chanel, Dior, and Louis Vuitton.
Thistle Hill Weavers is also engaged in projects related to popular culture, including fabric for Disney’s upcoming character Ahsoka, a Mandalorian character set to debut at Disney Theme Parks. “Creating the cloak fabric for Ahsoka who is Mandalorian who now is going to have her own character, is going to be live at Disney Theme Parks,” Goody remarked.
Despite the thriving business and notable collaborations, Goody expressed concern for the state of weaving in America. “And that’s why we charge the prices that we charge,” she explained. “It’s unfortunate in a lot of ways that we’ve lost the weaving tradition in America. We’re one or two of the last small mills going.” This sentiment underscores the challenges faced by traditional artisans in a rapidly changing industry landscape.
Source: Noah Wire Services
